This is me in a totally posed shot, pretending to work the mixer that really never worked properly. We ended up recording directly to the camera, and used the on-camera settings to control the levels. To good effect, I should add.
Booming a scene, with Alex Winter on camera shooting actress Crystal Aya. As the production crew had no sound equipment available, I loaned the use of my low-budget consumer-quality equipment to the show. Above, I'm using my Rode Videomic attached to the upper arm of a mic stand, which extended about six feet and made a passable (but not very lightweight) boom pole. I also used my Nady Duet Encore wireless lavs for several scenes, but they were just a bit temperamental, so we tried to use the boom mic as much as possible.
Colleen Ellis was the other part of the sound crew, helping with boom and utility. As I totally expected, she did a terrific job. That's Jaki on the right, listening to direction from off-screen.
"Ooh, donuts!" Actor Brett Epstein joins Crystal for a scene in a room, which is roughly the size of a largish refrigerator box. How we got six people in there, I'll never know!
On location during the second day of the shoot, Colleen stretches out the boom to get a wider, more open sound.
Cool photo of me booming a scene in silhouette.
The sound dogs at the end of the exhaustive but fun two-day shoot!
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