We'll shoot our student film in video, but we're still required to know how to load and maintain Panavision 35mm film cameras. It's really neat!


SoundWorks Collection - The Sound of "Black Swan" from Michael Coleman on Vimeo
This is a video I found that looks at creating the sound scheme on "Black Swan". It focuses mostly on post-production and re-recording, along with the sound design. Fairly interesting.
With just hours remaining, the Kickstarter page for "Lover's Leap" made it's $4,000 goal, so the money will come through and they can finish post-production! Thanks to everyone who pledged!
That's me holding the boom as we prepare to shoot a scene for the film. My accounts of the filming are located here:
I bought a cheap (price, not quality) LCD camera-top monitor recently. Shown here at a rally with President Obama.
The complete story and a bunch of photos are on my sailing blog, sailfulltilt.blogspot.com
We also bought a CD for the band Addison Station after they played a great set.
And here's Colleen Ellis, who was boom operator and helped with the sound on the pilot, along with CT Joyce. Joyce really enjoyed the entertainment, the great food, and the complimentary wine! It was a fun night.
Booming on location is always a bit of a challenge, especially finding a place to stand. Josue Saldana is recording sound next to me.
Final day of the shoot finds actors Mary Fegreus and Matt Bretschneider getting ready for a scene, with DP Trenton McRae at left, Director Atanas Bakalov left-center, and Wardrobe Irene Ludemann behind him.
View from the camera of the actual Lover's Leap. There's maybe an 80-foot cliff right there. It was a bit nerve wracking at times when the actors got close! Apparently, some allegedly drunken moron waltzed off the edge a few weeks ago.
What a view! Lake Lillanonah is lovely; Joyce and I are going there in a few weeks for kayaking.
I want one. Really, I do.
We were lucky to get to shoot in a nice home. The owners were very generous and gracious, and they put up with a long, late night of noise.
The camera crew positioned the dolly for the party scene. The house was filled with antiques, and the crew was required to take off their shoes or wear boot covers to keep the floors pristine. My biggest fear was of accidentally knocking over a Ming vase with the boom pole. I don't even know if they had any Ming vases there, but I was really careful just in case!
Product placement! Since the producers didn't want to have to deal with clearing any trademarked items, the art dept. came up with these clever fake product labels.
Here's a shot from the big party scene while I boomed it from the balcony. Director Antanas Bakalov is at left. Atanas was in my FITP Sound Dept. class this year. Standing next to him is cinematographer Trenton McRae.
Grip & Electric gear spread out during preparation for the shoot.
Sound mixer and producer Josue Saldana at the sound cart. I worked as boom operator. Predictably, there were some minor equipment issues both nights, which made for an interesting exercise in dealing with problems. Location shoots are special that way.
Josh had great sound hardware on his cart for us to work with. This is a Sound Devices 788T digital recorder, absolutely top of the line model.
Josh also was involved in procuring a Red One camera for the shoot. The Red cameras are totally amazing, and often provide a better-than-film look.
The clear air in the hills around Candlewood Lake cooled down quickly after sunset, making it a chilly evening for the cast and crew. There were issues with the generators making noise that hindered us sound dogs, but we captured the sound that was needed. Several times I mic'd from inside a car; once with five of us and a camera in a less-than-spacious sedan. Fun, except for the leg cramps.It's a little known fact that "Gloria" was the most popular name given to newborn girls all throughout southern New England in the weeks following the storm.(See how I cleverly used a well-known character from a popular 1980s sitcom as a literary device to state a fact about a storm from 1985? Awww yeah! I'm da shit, yo!)